Max Greenfield made his The Assassination of Gianni Versace: American Crime Story debut in a blink and you will miss it scene within the premiere, however come episode two, airing Wednesday, Jan. 24 on FX, viewers will study much more about Greenfield’s character Ronnie.

Ronnie, an actual individual featured in Maureen Orth‘s ebook Vulgar Favors, the present’s supply materials, is an HIV-constructive man Andrew Cunanan (Darren Criss) meets in Miami after he has already killed 4 individuals. Ronnie’s a really totally different character than viewers are used to seeing the Emmy-nominated New Woman star in, from sort of individual proper right down to seems.

Greenfield stated he is on board with the dramatic transformations.

“I fairly like it. What’s fantastic about working with [Ryan Murphy] is all of his division heads are unimaginable. You might have wardrobe, hair and make-up and it kind of looks like all of us work collectively beneath Ryan’s path and by the point we find yourself on set, the appearing half is the one factor left to do, and a lot simpler as a result of we have created this exterior character in such a selected method. You are like, ‘Oh, I do know this man,'” Greenfield stated with amusing. “It feels very collaborative that means, and to me it is my favourite approach to work.”

Learn on to listen to extra from Greenfield about his Versace expertise, together with ideas on the confrontation between FX, Random Home and the Versace household.

What sort of analysis did you do to get into character for Ronnie?
One of many fantastic issues about Ryan is he’ll speak to you a few character and he speaks about characters in such depth, that once you go to do your personal type of work on it you’ve gotten a lot necessary info to go on, and you already know kind of precisely the place you then need to go. I feel for Ronnie, my focus was the time interval, which was 1997. It was a yr or two years out from once they had found out what the right medicine was for sufferers with HIV, and it left this group of people that have been now dwelling with HIV, the place that they had as soon as thought—and accepted—that they have been going to die. And having that feeling be so recent for therefore many of those people who find themselves now dwelling with this illness—making an attempt to take heed to the individuals who skilled that was actually what I attempted to concentrate on.

Had you learn Maureen Orth’s guide or did you after you bought the half?
I learn it later.

I assume that would cloud any type of character stuff you have been doing.
Yeah, I imply I knew I used to be enjoying an actual individual. I knew that bodily we do not actually resemble each other, I simply thought that what I had learn on the web page when it comes to the scripts, was so—what I felt like was significant, was all actually there. And I needed Ronnie’s story to actually add to the general themes of the present, relatively than attempt to concentrate on enjoying an actual individual.

Did this position require you to go to darkish locations? You have been saying this was a time earlier than there was this remedy. Did enjoying Ronnie have an effect on you in anyway?
I imply, it definitely was a studying expertise. [Pauses.] Yeah, there was such a unhappiness to this man. You take heed to individuals who nonetheless to today live with HIV, who had it on the time, and 20 years later a few of them nonetheless speak about this concept that it is nonetheless exhausting for them once they get up to assume that they are not dying, that they could have one other day. They misplaced so, so many individuals, and why are they nonetheless right here? You realize what I imply? It was a intestine-wrenching, overwhelming time.

Had you adopted Andrew’s case in actual life when it was occurring? Do you keep in mind the story?
No, I used to be 17 when it occurred. I used to be a senior in highschool, I did not stay in Miami. I keep in mind listening to about it, and had no clue that there have been a number of murders, that there was an entire backstory to it, however yeah, I did not know something greater than the headlines.

The Assassination of Gianni Versace: American Crime Story, Darren Criss, Max Greenfield

FX

What do you make concerning the Versace household going forwards and backwards with FX and Random Home concerning the authenticity of the present?
I’ve not adopted it. You realize, look, it is a actually delicate topic. It is an odd factor. I discovered that doing press for this present has been very totally different from a lot of the press I’ve ever executed for something as a result of there are actual victims of this story, and the best way that Ryan has chosen to point out it—there aren’t a variety of enjoyable parts to this. This can be a very harsh search for many various views on homophobia and points that make lots of people actually uncomfortable. I feel the hope is that you could watch it, it is in your face, it’s, I feel, terribly thought-scary and I feel—I hope—that it brings up a dialogue that makes some these points much less uncomfortable for individuals and opens up a dialogue. However it’s exhausting to speak about it…You get requested, like, ‘Did you would like that you simply had any scenes with Penélope Cruz?’ And you are like, ‘No!’ I am doing my job,’ and I used to be simply, like, making an attempt to honor this story and honor the best way Ryan needed to inform it.

The Assassination of Gianni Versace: American Crime Story airs Wednesdays, 10 p.m. on FX.